{"id":5779,"date":"2022-12-18T12:33:44","date_gmt":"2022-12-18T11:33:44","guid":{"rendered":"https:\/\/2022.devartistics.com\/artzine\/le-minimalisme-une-esthetique-de-lespace\/"},"modified":"2023-04-25T12:39:44","modified_gmt":"2023-04-25T10:39:44","slug":"le-minimalisme-une-esthetique-de-lespace","status":"publish","type":"post","link":"https:\/\/artistics.com\/fr\/artzine\/le-minimalisme-une-esthetique-de-lespace\/","title":{"rendered":"Le minimalisme : une esth\u00e9tique de l’espace"},"content":{"rendered":"

Apr\u00e8s avoir r\u00e9volutionn\u00e9 l’histoire de l’art, et plus particuli\u00e8rement l’histoire de la peinture qu’il consid\u00e9rait comme termin\u00e9e, le c\u00e9l\u00e8bre peintre italo-am\u00e9ricain Frank Stella a inspir\u00e9 des g\u00e9n\u00e9rations d’artistes, dont Ahn Hyun-Ju<\/a>, Alejandro Vega Beuvrin<\/a> ou Ramon Enrich<\/a>.<\/p>\n

\u00ab\u00a0Ce que vous voyez est ce que vous voyez.\u00a0\u00bb<\/em> Frank Stella<\/p>\n

L’artiste cor\u00e9enne Ahn Hyun-Ju est particuli\u00e8rement influenc\u00e9e par cette phrase dans laquelle se trouve la d\u00e9finition de la peinture minimaliste directement li\u00e9e \u00e0 l’abstraction. Elle qualifie ce style pictural dont les productions artistiques sont r\u00e9duites \u00e0 une expressivit\u00e9 minimale pour ne devenir qu’une pure pr\u00e9sence. \u00ab Je recherche une esth\u00e9tique simple et pure \u00e0 partir de la mati\u00e8re ou de la composition des lignes. \u00bb<\/em> d\u00e9clare-t-elle.<\/p>\n

Avec la peinture minimaliste, les artistes \u00e9tablissent un constat : tout a \u00e9t\u00e9 fait et tout a \u00e9t\u00e9 dit en peinture. Ainsi, pour continuer \u00e0 peindre, l’expression de l’artiste ou le besoin de faire sens dans l’Histoire et la tradition n’ont plus d’importance, car la peinture consiste d\u00e9sormais \u00e0 produire des \u0153uvres d’art qui occupent l’espace, seul param\u00e8tre qui donne \u00e0 leur existence une l\u00e9gitimit\u00e9.<\/p>\n

\"\"<\/p>\n

Moebius 10<\/em>, Ahn Huyn-Ju<\/a><\/p>\n

\"\"<\/p>\n

a042007-1<\/em>, Ahn Hyun-Ju<\/p>\n

L’art minimal s’\u00e9tend \u00e9galement \u00e0 la sculpture, dont les artistes Richard Serra et Donald Judd sont les chefs de file. Nourris \u00e9galement d’une r\u00e9flexion sur la perception des objets et leur rapport \u00e0 l’espace, leurs \u0153uvres r\u00e9v\u00e8lent l’espace environnant qu’elles int\u00e8grent comme un \u00e9l\u00e9ment d\u00e9terminant.<\/p>\n

Le sculpteur v\u00e9n\u00e9zu\u00e9lien Alejandro Vega Beuvrin s’est \u00e9galement inspir\u00e9 de cette th\u00e9orie \u00e0 laquelle il a ajout\u00e9 une dimension politique. Appelant ses \u0153uvres \u00ab dessin spatial \u00bb, il cr\u00e9e des objets bidimensionnels dans un espace num\u00e9rique unidimensionnel. Il entend ainsi \u00e9tablir le rapport n\u00e9cessaire que la sculpture entretient avec l’espace dans lequel elle \u00e9volue.<\/p>\n

R\u00e9alis\u00e9es \u00e0 partir de t\u00f4les d\u00e9coup\u00e9es au laser et assembl\u00e9es, ces cr\u00e9ations visent \u00e9galement \u00e0 rendre hommage aux victimes de la guerre civile v\u00e9n\u00e9zu\u00e9lienne, \u00e9v\u00e9nement qui l’a pouss\u00e9 \u00e0 s’installer \u00e0 Barcelone, en Espagne.<\/p>\n

\"\"<\/p>\n

Barricada #9 aic4 S<\/em>, Alejandro Vega Beuvrin<\/a><\/p>\n

Cependant, le rapport particulier \u00e0 l’espace que l’art peut entretenir depuis l’\u00e9mergence du minimalisme ne s’oppose pas n\u00e9cessairement \u00e0 la repr\u00e9sentation. La th\u00e9orie de l’art minimal \u00e9tant \u00e9galement concern\u00e9e par une exigence formelle rigoureuse, la repr\u00e9sentation abstraite et g\u00e9om\u00e9trique est l’une des possibilit\u00e9s offertes par ce mouvement artistique.<\/p>\n

Le peintre espagnol Ramon Enrich cr\u00e9e des \u0153uvres dans lesquelles figuration et abstraction se confrontent. L’artiste synth\u00e9tise l’architecture et l’espace, et travaille dans une conception th\u00e9\u00e2trale avec un r\u00e9el sens de la mise en sc\u00e8ne. Gr\u00e2ce \u00e0 ce processus pictural et \u00e0 l’ajout de motifs mettant l’espace en perspective, il parvient \u00e0 int\u00e9grer une id\u00e9e d’infini dans le fini et \u00e0 cr\u00e9er une r\u00e9elle sensation de l’espace.<\/p>\n

\"\"<\/p>\n

TRESGRA<\/em>, Ramon Enrich<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

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