{"id":5763,"date":"2020-06-15T13:16:53","date_gmt":"2020-06-15T11:16:53","guid":{"rendered":"https:\/\/2022.devartistics.com\/artzine\/interview-sharon-brill-evoque-sa-nouvelle-serie-emergences\/"},"modified":"2023-07-11T11:28:33","modified_gmt":"2023-07-11T09:28:33","slug":"interview-sharon-brill-evoque-sa-nouvelle-serie-emergences","status":"publish","type":"post","link":"https:\/\/artistics.com\/fr\/artzine\/interview-sharon-brill-evoque-sa-nouvelle-serie-emergences\/","title":{"rendered":"Interview : Sharon Brill \u00e9voque sa nouvelle s\u00e9rie, Emergences"},"content":{"rendered":"

Tr\u00e8s influenc\u00e9e par la Nature, Sharon Brill nous d\u00e9voile sa nouvelle s\u00e9rie\u00a0Emergences<\/em>. Pr\u00e9sent\u00e9es sur Artistics, ces \u0153uvres hybrides, \u00e0 mi-chemin entre sculpture et peinture, associent une r\u00e9flexion formelle in\u00e9dite \u00e0 une sensibilit\u00e9 exacerb\u00e9e pour la Nature. Les \u0153uvres en volume de l\u2019artiste s\u2019enrichissent d\u00e9sormais de ces sculptures murales<\/a>, o\u00f9 la porcelaine -associ\u00e9e \u00e0 d\u2019autres mat\u00e9riaux- semble mue par des forces invisibles. Pouss\u00e9e par une plus grande attention port\u00e9e au\u00a0cach\u00e9<\/em>, l\u2019artiste part d\u2019une surface plane pour rendre manifeste d\u2019autres mouvements pr\u00e9sents dans la Nature\u00a0: non plus ceux de la mer (la source d\u2019inspiration principale de ses pr\u00e9c\u00e9dentes cr\u00e9ations) mais ceux plus invisibles encore, qui \u00e9mergent des profondeurs de la terre.<\/strong><\/p>\n

\"\"<\/p>\n

Crevice 2<\/em>\u00a0par Sharon Brill<\/a><\/p>\n

Pouvez-vous nous en dire plus sur votre derni\u00e8re s\u00e9rie \u00ab\u00a0Emergences\u00a0\u00bb\u00a0?<\/strong><\/p>\n

La cr\u00e9ation de cette s\u00e9rie est inspir\u00e9e de la combinaison de plusieurs choses\u00a0: des formes des pierres et les fa\u00e7onnements des sols que j\u2019ai assimil\u00e9s gr\u00e2ce \u00e0 l\u2019observation de paysages marins et de dessins que j\u2019ai r\u00e9alis\u00e9s dans le d\u00e9sert. D\u2019une collection de fragments de porcelaine, \u0153uvres qui se sont bris\u00e9es \u00e0 diff\u00e9rents stades d\u2019un proc\u00e9d\u00e9 cr\u00e9atif et que j\u2019ai conserv\u00e9es, et \u00e0 la fois de la recherche d\u2019un moyen de capturer le mouvement dans mes sculptures de mani\u00e8re condens\u00e9e, et plus pr\u00e9cis\u00e9ment dos\u00e9e. Comme des occurrences latentes, ces \u00e9l\u00e9ments ont prosp\u00e9r\u00e9 chez moi pendant un temps jusqu\u2019\u00e0 \u00e9clore et prendre forme.<\/p>\n

A propos de cette s\u00e9rie, vous d\u00e9clariez\u00a0:\u00a0\u00ab Je recherche ce qui est cach\u00e9 dans la profondeur de la forme, au-del\u00e0 du visible\u00a0\u00bb.\u00a0<\/em>Telle que cette affirmation peut le laisse entendre, il y a-t-il une dimension m\u00e9taphysique dans votre recherche\u00a0?<\/strong><\/p>\n

Il y a double sens \u00e0 cette phrase\u00a0: elle d\u00e9crit d\u2019abord la mani\u00e8re dont je travaille puisque je creuse un agglom\u00e9rat de mati\u00e8re recompos\u00e9 \u00e0 partir de blocs, et je transforme la forme en ouvrant les couches externes de la mati\u00e8re qui constituent le p\u00e9rim\u00e8tre \u00e0 partir duquel des formes cach\u00e9es se r\u00e9v\u00e8lent dans la profondeur de l\u2019objet. Le processus advient essentiellement de mani\u00e8re intuitive et requiert une attention compl\u00e8te et une pr\u00e9sence \u00e0 l\u2019objet. En consid\u00e9rant mon travail et mon contexte de vie, je comprends le sens m\u00e9taphorique de cette recherche\u00a0\u00ab\u00a0en profondeur, au-del\u00e0 du visible\u00a0\u00bb<\/em>. A partir de cette observation, j\u2019ai pris conscience des connections qui s\u2019op\u00e8rent dans mon subconscient et de la qu\u00eate int\u00e9rieure \u00e0 laquelle je me livre mentalement. Elles prennent une expression dans la mati\u00e8re\u00a0; en ce sens, la recherche est m\u00e9taphysique.<\/p>\n

\"\"<\/p>\n

Inspirations de la s\u00e9rie\u00a0Emergences –\u00a0<\/em>Sharon Brill<\/p>\n

Bien qu\u2019abstrait, votre travail \u00e9voque le monde naturel. Pourriez-vous commencer par nous en dire plus sur votre propre relation \u00e0 la Nature\u00a0? Comment vous inspire-t-elle\u00a0? Comment votre environnement direct influence-t-il votre travail\u00a0?<\/strong><\/p>\n

Je vis avec ma famille dans une petite ville du nord bord\u00e9e \u00e0 l\u2019ouest par la c\u00f4te m\u00e9diterran\u00e9enne, et situ\u00e9e \u00e0 l\u2019est au pied du Mont Carmel. La mer et la Nature en g\u00e9n\u00e9ral me procurent un espace mental et un \u00e9tat de pleine pr\u00e9sence aux choses qui sont essentiels dans ma cr\u00e9ation. Lorsque je suis dans la Nature, je me sens connect\u00e9e \u00e0 une essence profonde. Ce sentiment est troubl\u00e9 et il s\u2019estompe lorsque je me situe dans un environnement urbain o\u00f9 mes sens sont submerg\u00e9s, comme si tout \u00e9tait trop \u2013 trop fort, trop bruyant, bien trop odorant\u2026 dans une agitation incessante et un exc\u00e8s de stimuli.<\/p>\n

Demeurer dans la Nature, assister aux changements des paysages de la mer, des bois ou du d\u00e9sert me permet de retrouver la simplicit\u00e9. Ce mouvement naturellement changeant m\u2019offre de nouvelles perspectives quant au familier, \u00e0 l\u2019\u00e9vident, et au monde \u00e9motionnel. De plus, j\u2019absorbe les exp\u00e9riences sensorielles de ce contact avec la nature primitive et ses paysages, et ils sont\u00a0inscrits dans la biblioth\u00e8que de mon intuition subconsciente. Plus tard, ils refont surface et se r\u00e9v\u00e8lent \u00e0 travers les formes, les lignes et les mouvements de mon travail.<\/p>\n

Vous travaillez la porcelaine exclusivement. Pourquoi avoir choisi ce mat\u00e9riau et qu\u2019est-ce que vous lui pr\u00e9f\u00e9rez le plus\u00a0conform\u00e9ment \u00e0 votre travail et \u00e0 ses qualit\u00e9s visuelles\u00a0?<\/strong><\/p>\n

Mon contact avec la porcelaine remonte au d\u00e9but de mon parcours sculptural, et c\u2019est \u00e0 ce moment que j\u2019ai d\u00e9cid\u00e9 de laisser le mat\u00e9riau se d\u00e9voiler et manifester ainsi le mouvement, les formes et les espaces qui les s\u00e9parent \u00e0 travers la lumi\u00e8re et les nuances.<\/p>\n

Ce mat\u00e9riau blanc et sa teinte avaient un sens essentiel. J\u2019adorais la porcelaine pour sa d\u00e9licatesse, son \u00e9l\u00e9gance, son profond \u00e9clat, et la mani\u00e8re dont elle capture la lumi\u00e8re. Par cons\u00e9quent, et en d\u00e9pit de la difficult\u00e9 de travailler ce mat\u00e9riau (il est fragile, il casse, il r\u00e9duit\u2026), \u00e7a en vaut la peine. Pour moi, son polissage final souligne son doux \u00e9clat de soie.<\/p>\n

Dans certaines \u0153uvres de la nouvelle s\u00e9rie, la porcelaine est pr\u00e9sente mais dissimul\u00e9e, et elle se fond avec les autres mat\u00e9riaux par le biais d\u2019une couverture uniforme. Mais les formes d\u00e9licates et lisses que je retrouve avec la porcelaine plus qu\u2019avec aucun autre mat\u00e9riau c\u00e9ramique me font la font choisir toujours.<\/p>\n

\"\"<\/p>\n

Be-Formed<\/em> par Sharon Brill<\/a><\/p>\n

La s\u00e9rie \u00ab Emergences \u00bb marque \u00e9galement un changement d\u2019\u00e9chelle et de forme. La plupart de vos sculptures c\u00e9ramiques<\/a> \u00e9taient jusqu\u2019\u00e0 pr\u00e9sent relativement petites et pouvaient tenir dans une main ou deux, alors que la s\u00e9rie \u00ab Emergences \u00bb est compos\u00e9e de plus grandes sculptures murales. D\u2019o\u00f9 provient ce changement ? Comment expliquez-vous la nature hybride de ces \u0153uvres en partie picturales ?<\/strong><\/p>\n

Lorsque j\u2019ai d\u00e9but\u00e9 cette s\u00e9rie, j\u2019avais l\u2019id\u00e9e de travailler sur un mur et de l\u2019utiliser comme espace de r\u00e9f\u00e9rence, comme une surface derri\u00e8re\/dans laquelle la manifestation constante d\u2019un mouvement pr\u00eat \u00e0 \u00e9clore semblerait \u00e9clater \u00e0 un certain moment. Mais bien entendu, si j\u2019avais directement travaill\u00e9 sur un mur, les \u0153uvres seraient demeur\u00e9es dans mon atelier. Par cons\u00e9quent, j\u2019ai commenc\u00e9 \u00e0 travailler sur des panneaux de taille uniforme et relativement petite comme si c\u2019\u00e9tait les morceaux d\u2019un mur. A pr\u00e9sent, je ressens le besoin de d\u00e9velopper cette m\u00e9thode, de travailler sur une surface plus grande, et d\u2019affiner le dosage du mouvement, le volume et la profondeur de la zone d\u2019\u00e9closion dans sa relation avec les zones lisses qui l\u2019entourent.<\/p>\n

Je consid\u00e8re cette s\u00e9rie davantage comme du bas-relief que comme de la peinture. J\u2019aimerais que le spectateur puisse adopter le point de vue d\u2019un oiseau et\u00a0regarder\u00a0<\/em>les \u0153uvres de haut. Pour les plus grandes \u0153uvres sur lesquelles je travaille actuellement, il y a aura la possibilit\u00e9 de jouer avec les sens d\u2019accrochage. Je suis fascin\u00e9e par le changement d\u2019associations et d\u2019images que la rotation d\u2019une \u0153uvre \u00e0 90 ou 180 degr\u00e9s fait surgir en nous lorsqu\u2019on la regarde.<\/p>\n

Pensez-vous que votre pratique va changer apr\u00e8s la pand\u00e9mie\u00a0?<\/strong><\/p>\n

Je souhaite rester ouverte aux changements, dans la mani\u00e8re dont je travaille \u2013 je pr\u00e9f\u00e8re le voir comme un d\u00e9veloppement du processus que la cr\u00e9ativit\u00e9 implique, et \u00eatre attentive \u00e0 tout ce qui veut se manifester \u2013 et \u00e0 un niveau plus personnel. J\u2019esp\u00e8re et j\u2019aspire au d\u00e9veloppement, et je crois que \u00e7a fait partie de ma mani\u00e8re de vivre. J\u2019esp\u00e8re que tout cela trouvera un \u00e9cho dans mon travail.<\/p>\n

\"\"<\/p>\n

Emergence 2<\/em>\u00a0par Sharon Brill<\/a><\/p>\n

\"\"<\/p>\n

Atelier de Sharon Brill<\/p>\n","protected":false},"excerpt":{"rendered":"

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D\u00e9couvrez \u00e0 travers ses r\u00e9ponses la d\u00e9marche artistique \u00e0 l\u2019origine de ses nouvelles \u0153uvres d\u2019art originales.<\/p>\n","protected":false},"author":1,"featured_media":4380,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_searchwp_excluded":"","inline_featured_image":false,"footnotes":""},"categories":[1184],"tags":[],"class_list":["post-5763","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites-de-nos-artistes"],"acf":[],"yoast_head":"\nInterview : Sharon Brill \u00e9voque sa nouvelle s\u00e9rie, Emergences<\/title>\n<meta name=\"description\" content=\"\u00c0 l\u2019occasion de la pr\u00e9sentation sur Artistics de sa nouvelle s\u00e9rie Emergences, la sculpteure isra\u00e9lienne Sharon Brill s\u2019est pr\u00eat\u00e9e \u00e0 l\u2019exercice de l\u2019interview. 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