{"id":5735,"date":"2019-10-11T10:45:26","date_gmt":"2019-10-11T08:45:26","guid":{"rendered":"https:\/\/2022.devartistics.com\/artzine\/serendipity-la-nouvelle-decouverte-de-romain-langlois\/"},"modified":"2023-07-11T15:30:20","modified_gmt":"2023-07-11T13:30:20","slug":"serendipity-la-nouvelle-decouverte-de-romain-langlois","status":"publish","type":"post","link":"https:\/\/artistics.com\/fr\/artzine\/serendipity-la-nouvelle-decouverte-de-romain-langlois\/","title":{"rendered":"Serendipity, la nouvelle d\u00e9couverte de Romain Langlois"},"content":{"rendered":"

Chez Romain Langlois, chaque pi\u00e8ce est l\u2019aboutissement d\u2019un long processus de recherche et de maturation. D\u2019o\u00f9 la raret\u00e9 de sa production et le caract\u00e8re exceptionnel de chacune de ses cr\u00e9ations. A l\u2019instar de Serendipity que l\u2019artiste vient \u00e0 peine de d\u00e9voiler et qui s\u2019inscrit \u00e0 la fois dans la continuit\u00e9 de ses pr\u00e9c\u00e9dentes sculptures et en rupture avec elles.<\/strong><\/p>\n

\"\"<\/p>\n

Serendipity<\/em><\/a>, Romain Langlois<\/p>\n

Attraction de l\u2019espace<\/em>, R\u00e9sonance<\/em>, Contenan<\/em>t\u2026 L\u2019hyperr\u00e9alisme des sculptures de Romain Langlois<\/a> est troublant. Cependant, ses pi\u00e8ces sont plus que des reproductions, et loin de vouloir reproduire la nature, elles renferment l\u2019ambition inconsid\u00e9r\u00e9e de donner une nouvelle existence \u00e0 ces \u00e9l\u00e9ments naturels, voire de rendre le bois ou la roche \u00ab\u00a0encore plus naturel\u00a0\u00bb.<\/p>\n

Romain Langlois envisage ses \u0153uvres comme des transmutations. Elles sont compos\u00e9es des informations visuelles que fournissent les \u00e9l\u00e9ments – la couleur de la roche ou les veines du bois – auxquelles vont venir s\u2019ajouter les repr\u00e9sentations de l\u2019esprit du spectateur. En effet, l\u2019artiste entend duper l\u2019esprit. Pour cr\u00e9er une roche plus vraie que nature, l\u2019artiste la fa\u00e7onne tel que l\u2019esprit la con\u00e7oit, il s\u2019explique\u00a0: \u00ab\u00a0Si je cr\u00e9e une faille, l\u2019esprit va se souvenir de la faille d\u2019une montagne. Il s\u2019agit ainsi de cr\u00e9er un effet d\u2019hyperr\u00e9alisme en utilisant des narrations qui tromperont l\u2019esprit le portant \u00e0 croire que ce qu\u2019il voit est absolument naturel.\u00a0\u00bb.<\/em><\/p>\n

\"\"<\/p>\n

Serendipity<\/em><\/a>, Romain Langlois<\/p>\n

L\u2019hyperr\u00e9alisme se borne cependant \u00e0 la partie ext\u00e9rieure des pi\u00e8ces, et il est \u00e9quilibr\u00e9 par la part interpr\u00e9tative, c\u2019est-\u00e0-dire l\u2019aspect liquide des \u0153uvres, signature de l’artiste.<\/p>\n

Originairement pens\u00e9 comme une r\u00e9f\u00e9rence \u00e0 l\u2019\u00e9tat liquide par lequel chaque chose passe, ce magma<\/em> tant\u00f4t dor\u00e9, tant\u00f4t noir a \u00e9galement une port\u00e9e plus symbolique. Il manifeste l\u2019\u00e9tat d\u2019instabilit\u00e9 permanente des choses, cet \u00e9tat \u00e9tant le terreau fertile de l\u2019\u00e9volution de laquelle \u00e9mergent des d\u00e9couvertes scientifiques comme esth\u00e9tiques. Gr\u00e2ce \u00e0 ce magma, les choses r\u00e9v\u00e8lent de quoi elles sont faites. \u00ab\u00a0Tout est en vie, en mouvement, en transformation.<\/em>\u00a0\u00bb Cette vie, ce mouvement int\u00e9rieur des choses, il faut aller le d\u00e9nicher.<\/p>\n

Serendipity, une d\u00e9couverte esth\u00e9tique<\/strong><\/p>\n

Cette port\u00e9e plus symbolique est d\u2019autant plus ch\u00e8re \u00e0 l\u2019artiste qu\u2019elle fait \u00e9cho indirectement au concept m\u00eame de s\u00e9rendipit\u00e9, qui pr\u00eate son nom \u00e0 la derni\u00e8re \u0153uvre, un concept qui d\u00e9signe le fait de faire une d\u00e9couverte de mani\u00e8re fortuite.<\/p>\n

Pour Serendipity, Romain Langlois<\/a> a choisi de rev\u00eatir ce liquide<\/em> de noir, l\u00e0 o\u00f9 ses pr\u00e9c\u00e9dentes sculptures rayonnent d\u2019une intense couleur dor\u00e9e. L\u00e0 encore, l\u2019artiste est soucieux de maintenir un \u00e9quilibre au sein de la sculpture\u00a0: \u00ab\u00a0<\/em>Par son mouvement, la pi\u00e8ce est donn\u00e9e \u00e0 voir, elle est d\u00e9compos\u00e9e. Choisir de faire du noir, et non pas du dor\u00e9 – comme les pi\u00e8ces pr\u00e9c\u00e9dentes \u2013 c\u2019\u00e9tait cr\u00e9er un effet d\u2019\u00e9quilibre au sein de la pi\u00e8ce. Le dor\u00e9 soulignait trop l\u2019ouverture, il fallait mod\u00e9rer\u00a0\u00bb.<\/em><\/p>\n

\"\"<\/p>\n

Serendipity<\/em><\/a>, Romain Langlois<\/p>\n

S\u2019il est clair que le noir sied d’avantage \u00e0 la symbolique que le dor\u00e9, le fait que cette couleur attire d\u2019avantage le regard est moins \u00e9vident, voire paradoxal. Toutefois, puisque le noir absorbe, il interroge et il met la capacit\u00e9 conceptuelle de l\u2019esprit en mouvement. Contrairement aux autres pi\u00e8ces, l\u2019int\u00e9rieur de Serendipity n\u2019est pas donn\u00e9 \u00e0 voir mais il est envisag\u00e9 par le sculpteur comme le sujet d\u2019une recherche qui doit na\u00eetre dans l\u2019esprit des spectateurs.<\/p>\n

Essayer de ne rien perdre en r\u00e9cr\u00e9ant, voire d\u2019ajouter \u00e0 la nature gr\u00e2ce \u00e0 la capacit\u00e9 conceptuelle de l\u2019esprit, telle est la volont\u00e9 du sculpteur qui consid\u00e8re ses pi\u00e8ces comme tourn\u00e9es vers leurs spectateurs, comme ouvertes aux regards qui vont v\u00e9ritablement fa\u00e7onner les \u0153uvres.<\/p>\n

Pour Romain Langlois<\/a>, le rapport \u00e0 l\u2019espace qu\u2019entretient Serendipity<\/em> est \u00ab\u00a0comme une invitation \u00e0 danser\u00a0\u00bb<\/em> formul\u00e9e \u00e0 l\u2019endroit de ses spectateurs par laquelle l\u2019esprit va pouvoir s\u2019approprier la pi\u00e8ce.<\/p>\n

\"\"<\/p>\n

Serendipity<\/em><\/a>, Romain Langlois<\/p>\n

Eh bien, dansez maintenant\u00a0!<\/p>\n","protected":false},"excerpt":{"rendered":"

L’artiste fran\u00e7ais Romain Langlois vient de r\u00e9v\u00e9ler sa derni\u00e8re cr\u00e9ation, Serendipity, qui s\u2019inscrit \u00e0 la fois dans la continuit\u00e9 de ses pr\u00e9c\u00e9dentes sculptures et en rupture avec elles.<\/p>\n","protected":false},"author":1,"featured_media":4114,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_searchwp_excluded":"","inline_featured_image":false,"footnotes":""},"categories":[1184],"tags":[],"class_list":["post-5735","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites-de-nos-artistes"],"acf":[],"yoast_head":"\nSerendipity, la nouvelle d\u00e9couverte de Romain Langlois<\/title>\n<meta name=\"description\" content=\"L'artiste fran\u00e7ais Romain Langlois vient de r\u00e9v\u00e9ler sa derni\u00e8re cr\u00e9ation, Serendipity, qui s\u2019inscrit \u00e0 la fois dans la continuit\u00e9 de ses pr\u00e9c\u00e9dentes 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