{"id":5733,"date":"2023-12-12T18:24:00","date_gmt":"2023-12-12T17:24:00","guid":{"rendered":"https:\/\/2022.devartistics.com\/artzine\/art-contemporain-et-danse-3-questions-a-klaus-kampert\/"},"modified":"2023-07-10T11:42:36","modified_gmt":"2023-07-10T09:42:36","slug":"art-contemporain-et-danse-3-questions-a-klaus-kampert","status":"publish","type":"post","link":"https:\/\/artistics.com\/fr\/artzine\/art-contemporain-et-danse-3-questions-a-klaus-kampert\/","title":{"rendered":"Art contemporain et danse : 3 questions \u00e0 Klaus Kampert"},"content":{"rendered":"

Au cours de cette s\u00e9rie d\u2019entretiens, la galerie Artistics vous propose d\u2019explorer le lien entre l\u2019art et la danse. Le photographe Klaus Kampert succ\u00e8de \u00e0 la sculpteure <\/em>C\u00e9cile Raynal<\/em><\/a>, il se confronte au m\u00eame th\u00e8me : le lien entre son art et la danse. <\/em><\/strong><\/p>\n

\"\"
172.01.12, S\u00e9rie Dancing Rays of light, Klaus Kampert<\/figcaption><\/figure>\n

Klaus Kampert<\/a> est un photographe allemand qui vit et travaille \u00e0 D\u00fcsseldorf. Il pratique le dessin, la sculpture et la peinture d\u00e8s son plus jeune \u00e2ge, ce qui le conduit naturellement \u00e0 s\u2019essayer \u00e0 d\u2019autres m\u00e9diums artistiques tel que la photographie. Dans les ann\u00e9es 1980, Klaus fait de la photographie son activit\u00e9 principale et exerce d\u2019abord dans le milieu de la mode. La relation entre sa production artistique et le rapport au corps se construit progressivement, jusqu\u2019\u00e0 ce que la mise en sc\u00e8ne des corps repr\u00e9sente le c\u0153ur de sa cr\u00e9ation. A force d\u2019exp\u00e9rience et de travail, la photographie de Klaus Kampert prend une certaine distance avec la figuration, notamment en vertu des possibilit\u00e9s abstraites que le corps humain et ses mouvements proposent, mais \u00e9galement gr\u00e2ce \u00e0 sa rencontre avec des mod\u00e8les particuliers qui deviendront de vraies sources d\u2019inspiration\u00a0: les danseurs.<\/em><\/p>\n

Le lien entre la photographie et la danse r\u00e9side dans un mouvement\u00a0: une photographie d\u00e9compose le mouvement alors que la danse est une activit\u00e9 dynamique, justement compos\u00e9e d\u2019une succession de mouvements. Les photographies de Klaus Kampert<\/a> figent les corps et permettent au spectateur de se concentrer sur la forme esth\u00e9tique qu\u2019ils cr\u00e9ent. Ainsi, derri\u00e8re l\u2019objectif de Klaus Kampert, le corps des danseurs se fait mati\u00e8re brute de la photographie.<\/em><\/p>\n

A\u00a0: Les danseurs de ballet comptent-ils parmi vos mod\u00e8les pr\u00e9f\u00e9r\u00e9s\u00a0? Pourquoi\u00a0? <\/strong><\/p>\n

En art, il existe le ph\u00e9nom\u00e8ne de \u00ab\u00a0Gesamtkunswerk\u00a0\u00bb, l\u2019\u0153uvre d\u2019art universelle. Ce qui signifie que des disciplines artistiques diff\u00e9rentes peuvent fonctionner ensemble comme un tout. Par exemple, le th\u00e9\u00e2tre, la musique et la danse composent un op\u00e9ra. Pour moi, les danseurs sont des \u0153uvres d\u2019art universelles. Depuis leur plus jeune \u00e2ge, ils font l\u2019exp\u00e9rience de leur corps en tant que medium d\u2019expression. Ils entrainent leur corps et leur esprit, physiquement et \u00e9motionnellement, et parviennent \u00e0 un \u00e9tat de conscience de leur pl\u00e9nitude tout en sachant que l\u2019excellence est tr\u00e8s proche de la perfection qui ne s\u2019atteint jamais. Quand je travaille avec des danseurs, je n\u2019ai pas \u00e0 expliquer ce qu\u2019est une bonne image, ils le savent.<\/p>\n

De plus, leurs corps sont les t\u00e9moins d\u2019ann\u00e9es de lutte permanente. Ils sont minces, toniques, leur structure musculaire est maigre, et ils sont tr\u00e8s souples. La danse professionnelle n\u2019est pas un m\u00e9tier, c\u2019est une attitude vis-\u00e0-vis de la vie. Tous ces accomplissements sont tr\u00e8s en accord avec mon travail.<\/p>\n

\"\"
168.05.12, S\u00e9rie Wrapped, Klaus Kampert<\/figcaption><\/figure>\n

A\u00a0: Avez-vous seulement un int\u00e9r\u00eat pour la danse classique\u00a0?<\/strong><\/p>\n

J\u2019aime tous les types de danse, classique, n\u00e9oclassique, danse contemporaine. Mon int\u00e9r\u00eat principal est le mouvement en tant que tel. J\u2019appr\u00e9cie de voir un danseur bien entra\u00een\u00e9 qui effectue des pas expressifs et des mouvements surprenants, que ce soit en parfaite ad\u00e9quation avec la musique, dans la recherche d\u2019un effet dramatique ou \u00e9trange\u2026 M\u00eame les moments les plus \u00e9tranges me plaisent\u00a0!<\/p>\n

\"\"
105.03.97, S\u00e9rie Moonstruck, Klaus Kampert<\/figcaption><\/figure>\n

A\u00a0: En 2004, vous avez eu l\u2019opportunit\u00e9 de cr\u00e9er un calendrier pour le ballet du Deutsche Oper am Rhein \u00e0 D\u00fcsseldorf, c\u2019est ainsi qu\u2019a vu le jour la s\u00e9rie Ballet Calendar. Pouvez-vous nous en dire plus sur ce projet\u00a0? <\/strong><\/p>\n

Le directeur et chor\u00e9graphe du Oper am Rhein Youri Vamos m\u2019a demand\u00e9 de faire un shooting pour un calendrier consacr\u00e9 au ballet, en me laissant carte blanche pour le concept. J\u2019ai d\u00e9cid\u00e9 de placer le danseur au centre de l\u2019image tout en traitant de la notion de chor\u00e9graphie, mais pas de sa dur\u00e9e. J\u2019ai emmen\u00e9 les danseurs hors de la sc\u00e8ne, dans le studio avec un arri\u00e8re-plan minimal, sans v\u00eatement, et j\u2019ai photographi\u00e9 en noir et blanc. J\u2019ai \u00ab\u00a0dessin\u00e9\u00a0\u00bb leurs corps \u00e0 l\u2019aide d\u2019une lumi\u00e8re tr\u00e8s th\u00e9\u00e2trale, et nous avons travaill\u00e9 sur les expressions corporelles afin de constamment souligner leurs comp\u00e9tences et leur attitude. Avec les danseurs et le chor\u00e9graphe, nous avons trouv\u00e9 des s\u00e9quences typiques des pi\u00e8ces jou\u00e9es. Ainsi, nous avons cr\u00e9\u00e9 un calendrier qui dresse un portrait des danseurs sans n\u00e9gliger les pi\u00e8ces, et cr\u00e9\u00e9 des photographies uniques qui racontent une histoire diff\u00e9rente de celle de la plupart des calendriers de ballet. Le calendrier et l’exposition des images ont \u00e9t\u00e9 tr\u00e8s bien accueillis par les danseurs et par le public. \u2026 Et c’\u00e9tait amusant !<\/p>\n

\"\"
127.11.04, S\u00e9rie Ballet Calendar, Klaus Kampert<\/figcaption><\/figure>\n

Sur le m\u00eame sujet\u00a0: \u00ab\u00a0Art contemporain et Danse\u00a0: 3 questions pos\u00e9es \u00e0 C\u00e9cile Raynal\u00a0\u00bb<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Au cours de cette s\u00e9rie d\u2019entretiens, la galerie Artistics vous propose d\u2019explorer le lien entre l\u2019art et la danse. 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