{"id":5319,"date":"2016-10-21T18:32:18","date_gmt":"2016-10-21T16:32:18","guid":{"rendered":"https:\/\/2022.devartistics.com\/artzine\/en-images-fiac-2016\/"},"modified":"2023-07-04T18:45:36","modified_gmt":"2023-07-04T16:45:36","slug":"en-images-fiac-2016","status":"publish","type":"post","link":"https:\/\/artistics.com\/fr\/artzine\/en-images-fiac-2016\/","title":{"rendered":"EN IMAGES : FIAC 2016"},"content":{"rendered":"<p>Du 20 au 23 octobre, le Grand Palais accueille \u00e0 Paris l&rsquo;\u00e9dition 2016 de la Foire internationale d&rsquo;art contemporain (FIAC). 186 galeries, dont 113 \u00e9trang\u00e8res, sont au rendez-vous de cette 43e \u00e9dition.<\/p>\n<p>Tr\u00e8s attendue, la FIAC constitue un moment crucial pour les galeries repr\u00e9sent\u00e9es\u00a0: ces derni\u00e8res r\u00e9alisent entre 40\u00a0% et 80\u00a0% de leur chiffre d&rsquo;affaires durant la foire.<\/p>\n<p>Cette ann\u00e9e, la foire internationale \u00e9tend sa surface d&rsquo;exposition autour du Grand\u00a0Palais et propose une v\u00e9ritable balade artistique. En effet, la directrice artistique de la Fiac, Jennifer Flay, a r\u00e9ussi \u00e0 faire fermer l\u2019avenue Winston-Churchill, qui s\u00e9pare les Grand et Petit Palais. Devenue ainsi pi\u00e9tonne, l&rsquo;avenue cr\u00e9e le lien entre Grand Palais et Petit Palais et s&rsquo;offre aux artistes. Sur la chauss\u00e9e, on observe les jeux de pochoirs \u00e0 tonalit\u00e9 politique de Jacques Villegl\u00e9 et Lawrence Weiner.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/artistics.com\/wp-content\/uploads\/2023\/04\/villegle_weiner.jpg\" alt=\"\" width=\"525\" height=\"296\" \/><\/p>\n<p>Cette ann\u00e9e encore, les grandes galeries continuent \u00e0 prosp\u00e9rer et pr\u00e9sentent les artistes les plus cot\u00e9s du march\u00e9, comme Yan Pei-Ming, Damian Hirst, ou encore Anish Kapoor.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/artistics.com\/wp-content\/uploads\/2023\/04\/hirst-scaled.jpg\" alt=\"\" width=\"453\" height=\"340\" \/><\/p>\n<p>Damian Hirst, <em>Love, Love, Love<\/em>, 2008 (Van de Wegue Fine Art)<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/artistics.com\/wp-content\/uploads\/2023\/04\/kapoor.jpg\" alt=\"\" width=\"430\" height=\"399\" \/><\/p>\n<p>Anish Kapoor, <em>Random Triangle Mirror<\/em>, 2015 (Galleria Continua)<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/artistics.com\/wp-content\/uploads\/2023\/04\/yan_pei_ming-scaled.jpg\" alt=\"\" width=\"464\" height=\"262\" \/><\/p>\n<p>Yan Pei-Ming (Galerie Massimo de Carlo)<\/p>\n<p>La Lisson Gallery pr\u00e9sente le c\u00e9l\u00e8bre Ai Wei Wei et ses \u00ab\u00a0<em>Colored vases<\/em>\u00a0\u00bb : ce sont d\u2019authentiques vases de la dynastie Han que l\u2019artiste a recouvert de peintures multicolores.<\/p>\n<p>Ai Wei Wei, en tant que figure embl\u00e9matique de la sc\u00e8ne artistique ind\u00e9pendante chinoise, exprime ici son m\u00e9pris des conventions. En apposant une marque typique du capitalisme am\u00e9ricain sur une antiquit\u00e9 \u00e0 la valeur historique transforme cette urne mill\u00e9naire un banal objet de consommation.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/artistics.com\/wp-content\/uploads\/2023\/04\/ai_wei_wei.jpg\" alt=\"\" width=\"453\" height=\"328\" \/><\/p>\n<p>Ai Wei Wei, S\u00e9rie \u00ab\u00a0Colored Vases\u00a0\u00bb (Lisson Gallery)<\/p>\n<p>Chaque ann\u00e9e, la Fiac pr\u00e9sente son lot d&rsquo;oeuvres spectaculaires ou provocantes. Pour cette \u00e9dition, on notera notamment le \u00ab\u00a0<em>Couple on a Bench<\/em>\u00a0\u00bb\u00a0: une \u0153uvre hyper-r\u00e9aliste de l\u2019artiste am\u00e9ricain Duane Hanson. On regarde tout autant ce couple en r\u00e9sine que les spectateurs qui observe l&rsquo;oeuvre, fascin\u00e9s. Cela engendre un jeu de miroir \u00e9tonnant, entre ce couple \u00e2g\u00e9 bedonnant et les businessmen \u00e9l\u00e9gants de la Fiac. A voir sur le stand de la galerie Gagosian.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/artistics.com\/wp-content\/uploads\/2023\/04\/hanson_couple_on_a_bench.jpg\" alt=\"\" width=\"446\" height=\"334\" \/><\/p>\n<p>Duane Hanson, <em>Couple on a bench<\/em> (Gagosian Gallery)<\/p>\n<p>Par ailleurs, la galerie mexicaine Kurimanzutto, pr\u00e9sente une pi\u00e8ce tiss\u00e9e confectionn\u00e9e en 1970 par Gabriel Kuri. Cette tapisserie longue de pr\u00e8s de cinq m\u00e8tres, fait office de sculpture.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/artistics.com\/wp-content\/uploads\/2023\/04\/kuri.jpg\" alt=\"\" width=\"464\" height=\"347\" \/><\/p>\n<p>Gabriel Kuri, <em>Untitled (Caviar House 54)<\/em>\u00a0(Galerie\u00a0Kurimanzutto)<\/p>\n<p>Par ailleurs, on observe un joli panel d&rsquo;artistes ainsi qu&rsquo;un bel effort de mises en sc\u00e8ne chez les galeries italiennes et allemandes\u00a0:<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/artistics.com\/wp-content\/uploads\/2023\/04\/white_2-scaled.jpg\" alt=\"\" width=\"483\" height=\"317\" \/><\/p>\n<p>Pae White, <em>Dark Corners<\/em>, 2011 (Galerie Kaufmann Repetto)<\/p>\n<p>A la Galerie Continua, Michelangelo Pistoletto poursuit ses recherches artistiques autour du miroir et du jeu de reflet int\u00e9grant le spectateur dans l&rsquo;oeuvre :<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/artistics.com\/wp-content\/uploads\/2023\/04\/pistoletto.jpg\" alt=\"\" width=\"427\" height=\"568\" \/><\/p>\n<p>Michelangelo Pistoletto,\u00a0<em>Two Less One colored<\/em>, 2014 (Galerie Continua)<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/artistics.com\/wp-content\/uploads\/2023\/04\/mehretu.jpeg\" alt=\"\" width=\"516\" height=\"365\" \/><\/p>\n<p>Julie Mehretu, <em>Epigraph, Damascus<\/em>, 2016 (Galerie Carlier)<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/artistics.com\/wp-content\/uploads\/2023\/04\/tursicmille.jpg\" alt=\"\" width=\"505\" height=\"676\" \/><\/p>\n<p>Ida Tursic &amp; Wilfried Mille, <em>The Face<\/em>, 2016 (Galerie Alfonso Artiaco)<\/p>\n<p>Dans la th\u00e9matique du tissage, on retrouve notamment\u00a0 Annette Messager et\u00a0Kyungah\u00a0Ham :<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/artistics.com\/wp-content\/uploads\/2023\/04\/messager-scaled.jpg\" alt=\"\" width=\"515\" height=\"387\" \/><\/p>\n<p>Annette Messager, <em>La Spirale des crayons<\/em>, 2016 (Galerie Marian Goodman)<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/artistics.com\/wp-content\/uploads\/2023\/04\/ham-scaled.jpg\" alt=\"\" width=\"534\" height=\"300\" \/><\/p>\n<p>Kyungah Ham, <em>Abstract Weave \/ Morris Louis Dalet Tzadik 1958<\/em>, 2014 (Kukje Gallery)<\/p>\n<p>La galerie Thaddaeus Ropac pr\u00e9sente Antony Gormley :<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/artistics.com\/wp-content\/uploads\/2023\/04\/ag_1368_a_300dpi.jpeg\" alt=\"\" width=\"564\" height=\"360\" \/><\/p>\n<p>Antony Gormley,\u00a0<em>BIG LOOK<\/em>, 2014 (Galerie Thaddaeus Ropac)<\/p>\n<p>Enfin, la galerie Andrea Rosen pr\u00e9sente David Altmedj et Alina Szapocznikow. Cette derni\u00e8re a men\u00e9 durant sa carri\u00e8re un travail sur les\u00a0empreintes de corps :<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/artistics.com\/wp-content\/uploads\/2023\/04\/szapo-scaled.jpg\" alt=\"\" width=\"586\" height=\"330\" \/><\/p>\n<p>Alina Szapocznikow, <em>Lampe-bouche<\/em>, 1966 (Andrea Rosen Gallery)<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/artistics.com\/wp-content\/uploads\/2023\/04\/ad2014-027-untitled-v04_lb.jpeg\" alt=\"\" width=\"540\" height=\"811\" \/><\/p>\n<p>David Altmejd<strong>,\u00a0<\/strong><em>Untitled<\/em>, 2014 (Andrea Rosen Gallery)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Du 20 au 23 octobre, le Grand Palais accueille \u00e0 Paris l&rsquo;\u00e9dition 2016 de la Foire internationale d&rsquo;art contemporain (FIAC). 186 galeries, dont 113 \u00e9trang\u00e8res, sont au rendez-vous de cette 43e \u00e9dition. Tr\u00e8s attendue, la FIAC constitue un moment crucial pour les galeries repr\u00e9sent\u00e9es\u00a0: ces derni\u00e8res r\u00e9alisent entre 40\u00a0% et 80\u00a0% de leur chiffre d&rsquo;affaires [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5353,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_searchwp_excluded":"","inline_featured_image":false,"footnotes":""},"categories":[1185],"tags":[],"class_list":["post-5319","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-le-monde-de-art"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.3 (Yoast SEO v28.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>EN IMAGES : FIAC 2016<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artistics.com\/fr\/artzine\/en-images-fiac-2016\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"EN IMAGES : FIAC 2016\" \/>\n<meta property=\"og:description\" content=\"Du 20 au 23 octobre, le Grand Palais accueille \u00e0 Paris l&rsquo;\u00e9dition 2016 de la Foire internationale d&rsquo;art contemporain (FIAC). 186 galeries, dont 113 \u00e9trang\u00e8res, sont au rendez-vous de cette 43e \u00e9dition. Tr\u00e8s attendue, la FIAC constitue un moment crucial pour les galeries repr\u00e9sent\u00e9es\u00a0: ces derni\u00e8res r\u00e9alisent entre 40\u00a0% et 80\u00a0% de leur chiffre d&rsquo;affaires [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/artistics.com\/fr\/artzine\/en-images-fiac-2016\/\" \/>\n<meta property=\"og:site_name\" content=\"Artistics\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ArtisticsMag\" \/>\n<meta property=\"article:published_time\" content=\"2016-10-21T16:32:18+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-07-04T16:45:36+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/artistics.com\/wp-content\/uploads\/2023\/04\/visu-1-affiche-fiac.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"590\" \/>\n\t<meta property=\"og:image:height\" content=\"365\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Hypso\" \/>\n<meta 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