{"id":31850,"date":"2023-04-24T10:20:36","date_gmt":"2023-04-24T08:20:36","guid":{"rendered":"https:\/\/2022.devartistics.com\/artzine\/exhibition-cecile-raynal-at-the-maurice-denis-museum\/"},"modified":"2023-04-24T11:21:18","modified_gmt":"2023-04-24T09:21:18","slug":"exposition-cecile-raynal-au-musee-maurice-denis","status":"publish","type":"post","link":"https:\/\/artistics.com\/fr\/artzine\/exposition-cecile-raynal-au-musee-maurice-denis\/","title":{"rendered":"Exposition : C\u00e9cile Raynal au mus\u00e9e Maurice Denis"},"content":{"rendered":"

Jusqu\u2019au 25 juin, le mus\u00e9e Maurice Denis de Saint-Germain<\/em>–en-Laye pr\u00e9sente six sculptures de C\u00e9cile Raynal qui dressent un portrait concis mais panoramique de l\u2019\u0153uvre de l\u2019artiste. Diss\u00e9min\u00e9es dans les espaces du mus\u00e9e, ces pi\u00e8ces dialoguent avec celles d\u2019une autre exposition, Femme(s).<\/em><\/p>

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R\u00e9par\u00e9s (2018). Sculpture en gr\u00e8s enfum\u00e9, pigment, caisse en bois.<\/figcaption><\/figure><\/div>
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Les six pi\u00e8ces qui composent l\u2019exposition R\u00eaves(s) de filles t\u00e9moignent de la multitude des sources qui nourrissent le travail de l\u2019artiste : la litt\u00e9rature (Arbre-Monde III), les mythes et les contes (Daphn\u00e9), la philosophie et la spiritualit\u00e9 (Un Christ) et bien s\u00fbr toutes les rencontres faites dans le cadre ou autour de sa pratique de la sculpture.<\/p>

Car la sculpture de C\u00e9cile Raynal<\/a> est avant tout le r\u00e9sultat de rencontres : celles effectu\u00e9es dans le cadre des r\u00e9sidences qui rythment et orientent sa cr\u00e9ation. Depuis dix ans, l\u2019artiste installe un atelier nomade dans des lieux habituellement isol\u00e9s des regards : prison, maison de retraite, couvent, porte-containers\u2026 L\u00e0, elle mod\u00e8le dans l\u2019argile les portraits de celles et ceux qui prennent le temps de la pose. Dans l\u2019\u00e9change qui nait de ce face-\u00e0-face \u00e9mergent des r\u00e9cits de vie que l\u2019artiste imprime dans la mati\u00e8re.<\/p>

Au sujet de cette pratique singuli\u00e8re, C\u00e9cile Raynal \u00e9crivait en 2018 dans son livre M\u00e9moires de braise : \u00ab\u00a0(\u2026) l\u2019ignorance et l\u2019\u00e9tonnement sont mes principaux outils. Quand l\u2019\u00e9vidence dispara\u00eet, l\u2019id\u00e9e m\u00eame de la familiarit\u00e9 et de l\u2019habitude est balay\u00e9e, et peuvent alors surgir des formes inattendues. Une artiste sur un cargo, dans une prison, dans un h\u00f4pital est d\u2019abord en situation d\u2019\u00e9tranget\u00e9, de celle qui vous rappelle que l\u2019\u00e9vidence n\u2019est qu\u2019un point de vue, que l\u2019\u00e9tonnement face au monde est une planche de salut, et que l\u2019art ne peut advenir qu\u2019en d\u00e9calant le regard.\u00a0\u00bb<\/p>

Ces r\u00e9sidences alternent avec des s\u00e9jours dans son atelier normand o\u00f9 les exp\u00e9riences v\u00e9cues \u00e0 l\u2019ext\u00e9rieur donnent naissance \u00e0 d\u2019autres formes et d\u2019autres types de narration. C\u2019est notamment dans cet espace et cette pratique solitaire que s\u2019est d\u00e9velopp\u00e9 le bestiaire et la galerie de cr\u00e9atures hybrides, mi-humaines mi-animales, qui peuplent aujourd\u2019hui sa cr\u00e9ation.<\/p>

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Arbre monde III (2022\/2023). Sculpture en gr\u00e8s enfum\u00e9, pigment.<\/figcaption><\/figure><\/div>
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La premi\u00e8re \u0153uvre qui accueille le visiteur sur le parcours de l\u2019exposition, qui est aussi la plus r\u00e9cente, n\u2019est pourtant pas un portrait, en tout cas pas au sens litt\u00e9ral du terme : Arbre-monde III (2022\/2023), une r\u00e9f\u00e9rence au roman de Richard Powers, est pourtant en lien direct avec le vivant, et partant, avec l\u2019humain. Ce th\u00e8me de l\u2019arbre-monde, que l\u2019artiste a d\u00e9j\u00e0 abord\u00e9 \u00e0 plusieurs reprises<\/a>, ne fait-il pas \u00e9cho aux mythologies qui \u00e9voquent un arbre cosmique, qui relierait les diff\u00e9rentes parties de l’Univers ?<\/p>

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Un Christ (2021). Sculpture en gr\u00e8s enfum\u00e9, acier, cypr\u00e8s.<\/figcaption><\/figure><\/div>
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L\u2019autre \u0153uvre pr\u00e9sent\u00e9e au rez-de-chauss\u00e9e, dans le vestibule chapelle, aborde un sujet plus inhabituel dans le travail de l\u2019artiste : celui du Christ en croix. N\u00e9 dans le cadre d\u2019une commande priv\u00e9e, Un Christ (2021) s\u2019affranchit pourtant des repr\u00e9sentations classiques puisque, si la position est bien celle d\u2019un crucifi\u00e9, les bras ne sont pas clou\u00e9s : \u00ab\u00a0Je ne pouvais pas clouer un homme. Sans doute parce qu\u2019un homme aux bras clou\u00e9s ne peut embrasser. Et il me semble que cet homme a voulu embrasser les humains\u00a0\u00bb \u00e9crit l\u2019artiste.<\/p>

Les quatre \u0153uvres expos\u00e9es \u00e0 l\u2019\u00e9tage sont toutes des portraits de femmes : Daphn\u00e9, personnage de la mythologie grecque (Daphn\u00e9<\/a>, 2021) ; Nancy Houston, femme de lettres et ami de l\u2019artiste (Par la Peau, 2021), et deux portraits \u00e9nigmatiques.<\/p>

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Daphn\u00e9 (2021)<\/figcaption><\/figure>\n\n
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Par la peau (2021)<\/figcaption><\/figure>\n\n
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R\u00e9par\u00e9s (2018)<\/figcaption><\/figure><\/figure>
<\/div>

R\u00e9par\u00e9s<\/a> (2018), est une installation repr\u00e9sentant une femme entour\u00e9e de trois renards. Cr\u00e9\u00e9e dans le cadre d\u2019une r\u00e9sidence au mus\u00e9e des Arts et M\u00e9tiers<\/a>, l\u2019\u0153uvre est le t\u00e9moignage d\u2019une rencontre avec une jeune femme survivante du Bataclan, qui portait un renard tatou\u00e9 sur l\u2019\u00e9paule, en signe de m\u00e9morial de son compagnon assassin\u00e9 lors de ce drame. La place de l\u2019animal fait ici \u00e9cho aux propos de l\u2019artiste sur la place qu\u2019occupe la b\u00eate dans son \u0153uvre : \u00ab\u00a0Je mod\u00e8le autour de grands silences entre Homme et B\u00eates, j\u2019envisage aussi le hurlement de tous face au d\u00e9sastre. Rien n\u2019est explicite, mais lorsque je les b\u00e2tis je souhaite y m\u00ealer la menace, l\u2019enveloppe, la b\u00e9quille, l\u2019attente, la caresse.\u00a0\u00bb<\/p>

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R\u00eave de fille I (2016). Bronze.<\/figcaption><\/figure><\/div>
<\/div>

L\u2019enveloppe, la b\u00e9quille, l\u2019attente sont aussi des th\u00e8mes qui effleurent dans R\u00eave de fille<\/a> (2016), seule pi\u00e8ce en bronze de l\u2019exposition : une jeune femme, jambes et bras crois\u00e9s, assise sur un haut tabouret, offre au spectateur la vision d\u2019un corps sans visage, \u00e0 l\u2019int\u00e9rieur creus\u00e9 et transperc\u00e9. R\u00eave ou cauchemar ? Fille ou monstre ? Les sculptures de C\u00e9cile Raynal ne cherchent pas \u00e0 s\u00e9duire, mais plut\u00f4t \u00e0 donner \u00e0 voir la r\u00e9alit\u00e9 de v\u00e9cus, parfois douloureux, sur lesquels il serait plus facile de fermer les yeux. Donner \u00e0 voir ce qu\u2019il y a sous la peau. Et l\u2019on pense en regardant ses \u0153uvres \u00e0 cette phrase de Charles P\u00e9guy : \u00ab\u00a0Il faut toujours dire ce que l\u2019on voit. Surtout il faut toujours, ce qui est plus difficile, voir ce que l\u2019on voit\u00a0\u00bb.<\/p>

<\/div>

R\u00eave(s) de filles, sculptures de C\u00e9cile Raynal
25 mars – 25 juin, 2023
Mus\u00e9e Maurice Denis<\/a>
2 bis, rue Maurice Denis, 78100 Saint-Germain-en-Laye, France.<\/p>","protected":false},"excerpt":{"rendered":"

Jusqu\u2019au 25 juin, le mus\u00e9e Maurice Denis de Saint-Germain–en-Laye pr\u00e9sente six sculptures de C\u00e9cile Raynal qui dressent un portrait concis mais panoramique de l\u2019\u0153uvre de l\u2019artiste. Diss\u00e9min\u00e9es dans les espaces du mus\u00e9e, ces pi\u00e8ces dialoguent avec celles d\u2019une autre exposition, Femme(s). Les six pi\u00e8ces qui composent l\u2019exposition R\u00eaves(s) de filles t\u00e9moignent de la multitude des […]<\/p>\n","protected":false},"author":4,"featured_media":31816,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_searchwp_excluded":"","inline_featured_image":false,"footnotes":""},"categories":[1184],"tags":[],"class_list":["post-31850","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites-de-nos-artistes"],"acf":[],"yoast_head":"\nExposition : C\u00e9cile Raynal au mus\u00e9e Maurice Denis | Artistics<\/title>\n<meta name=\"description\" content=\"Jusqu\u2019au 25 juin, le mus\u00e9e Maurice Denis de Saint-Germain-en-Laye pr\u00e9sente six sculptures de l'artiste contemporaine C\u00e9cile Raynal.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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