{"id":35890,"date":"2023-08-22T16:44:03","date_gmt":"2023-08-22T14:44:03","guid":{"rendered":"https:\/\/artistics.com\/?post_type=artist&p=35890"},"modified":"2024-10-01T12:00:32","modified_gmt":"2024-10-01T10:00:32","slug":"bruno-fontana","status":"publish","type":"artist","link":"https:\/\/artistics.com\/fr\/artiste\/bruno-fontana\/","title":{"rendered":"Bruno Fontana"},"featured_media":37860,"template":"","artist-type":[305,2385,2391,307],"class_list":["post-35890","artist","type-artist","status-publish","has-post-thumbnail","hentry","artist-type-artistes-contemporains","artist-type-artistes-contemporains-francais","artist-type-artistes-contemporains-italiens","artist-type-photographes-contemporains"],"acf":{"artist_first_name":"Bruno","artist_last_name":"Fontana","artist_nickname":"","artist_prefix":"","artist_gender":"","artist_main_type":307,"artist_types":[305,307,2385,2391],"artist_parent_series":2127,"artist_parent_series_info":"Bruno Fontana (bruno-fontana)","artist_nationality":["FR","IT"],"artist_square_profile_picture":35907,"artist_address":{"address_1":"14, rue Fran\u00e7aise","address_2":"","city":"Paris","zip_code":"75002","country_of_residence":""},"artist_contact_info":{"phone":"","email":"brunofont@hotmail.com"},"artist_about":{"":null,"date_of_birth":"19770930","date_of_death":null,"description":"
\u00ab J\u2019essaye de pointer du doigt ces choses qu\u2019on ne voit plus et qui m\u2019attirent l\u2019\u0153il.\u202f\u00bb<\/blockquote> \r\n\r\nLes photographies d\u2019architecture de Bruno Fontana explorent la repr\u00e9sentation du paysage et la mani\u00e8re dont l\u2019homme l\u2019a fa\u00e7onn\u00e9, et le fa\u00e7onne toujours. Ses oeuvres permettent de d\u00e9crypter le quotidien, de chasser nos id\u00e9es re\u00e7ues et de mieux appr\u00e9hender le r\u00e9cit contemporain qui se d\u00e9roule sous nos yeux.","biography":"Les photographies d'architecture de Bruno Fontana explorent la repr\u00e9sentation du paysage et la mani\u00e8re dont l'homme l\u2019a fa\u00e7onn\u00e9, et le fa\u00e7onne toujours. Ses oeuvres permettent de d\u00e9crypter le quotidien, de chasser nos id\u00e9es re\u00e7ues et de mieux appr\u00e9hender le r\u00e9cit contemporain qui se d\u00e9roule sous nos yeux.\r\n

Bruno Fontana, un photographe entomologiste du quotidien<\/strong><\/h2>\r\n

Une interrogation de l\u2019environnement urbain<\/strong><\/h3>\r\nBruno Fontana, photographe contemporain<\/a>, examine la repr\u00e9sentation du paysage, notamment urbain : \u00ab J\u2019essaye de pointer du doigt ces choses qu\u2019on ne voit plus et qui m\u2019attirent l\u2019\u0153il.\u202f<\/em>\u00bb \u202fIl s'agit de logements, de constructions, ou encore d'installations qui viennent t\u00e9moigner \u202fdes formes \u202fd'appropriation du territoire.\r\nDans la s\u00e9rie Silents forms<\/em>, Fontana attire l\u2019attention sur les silos \u00e0 grain, \u00e9l\u00e9ments omnipr\u00e9sents et immuables du paysage rural fran\u00e7ais. Il appr\u00e9hende ces lieux de stockage comme autant de t\u00e9moins muets de la permanence de l\u2019identit\u00e9 rurale. Le photographe explique ainsi cette exploration des campagnes fran\u00e7aises : \u00ab\u202fJe \u202fm\u2019int\u00e9resse au territoire sous l'angle de la notion d'un patrimoine m\u00e9connu. C'est dans l'optique d'un travail de m\u00e9moire que je travaille.\u202f<\/em>\u00bb\r\n

Un travail photographique \u00e0 la limite du documentaire<\/strong><\/h3>\r\nBruno Fontana s\u2019appuie sur une m\u00e9thodologie rigoureuse, empreinte d\u2019une analyse sociologique, voire scientifique, pour explorer l\u2019environnement urbain et les paysages. Dans la s\u00e9rie Typologie<\/em>, l\u2019artiste dresse un vaste inventaire de maisons individuelles, de caravanes ou encore de salles de classe. \u00c0 travers ce travail \u00e0 la limite du documentaire, le photographe inventorie les ressemblances et les trames collectives. Il d\u00e9cortique ainsi avec patience et acharnement le fonctionnement de la soci\u00e9t\u00e9 contemporaine et se questionne sur des notions telles que l\u2019uniformisation, la culture de masse.\r\n

Une invitation \u00e0 l\u2019observation du quotidien<\/strong><\/h3>\r\nChaque photographie de Fontana est une invitation \u00e0 scruter diff\u00e9remment le quotidien, \u00e0 contempler avec soin les formes et les b\u00e2timents qui nous entourent. L\u2019artiste pousse ainsi le spectateur \u00e0 s\u2019interroger sur la question de la diff\u00e9rence et de la similitude, de la perception du r\u00e9el et de l\u2019irr\u00e9el. Si les clich\u00e9s du photographe contemporain sont d\u00e9nu\u00e9s de pr\u00e9sence humaine, ils sont autant de reflets de la soci\u00e9t\u00e9.\r\n\r\nBruno Dubreuil, enseignant et critique d\u2019art, r\u00e9sume ainsi la d\u00e9marche des photographies d'architecture<\/a> de Bruno Fontana :\u00ab\u202fEntomologiste du quotidien, Bruno examine en d\u00e9tail nos cadres de vie, collecte et rassemble des formes et des images \u00e9pingl\u00e9es et pr\u00e9sent\u00e9es en planches.\u202f<\/em>\u00bb\r\n

Pratiquer une approche artisanale<\/strong><\/h2>\r\n

Le go\u00fbt de l\u2019exp\u00e9rimentation<\/strong><\/h3>\r\nLa pratique de Bruno Fontana se rapproche de la photographie plasticienne. Il se saisit ainsi d'une \u202fmultitude de techniques : impression sur m\u00e9tal, verre, b\u00e9ton\u2026 L\u2019artiste pr\u00e9cise : \u00ab\u202fJe reste ouvert \u00e0 toutes les pratiques d\u00e8s lors qu'elles nourrissent mon propos artistique.<\/em>\u202f\u00bb\r\nDans la s\u00e9rie Concrete Forms<\/em>, l\u2019artiste extrait des formes industrielles brutes \u2014 bloc, domino ou encore escalier \u2014 de leur contexte d\u2019origine et les \u00e9l\u00e8ve au rang de sculptures gr\u00e2ce \u00e0 une technique d\u2019impression non reproductible qui date de la seconde moiti\u00e9 du XIXe si\u00e8cle. Bruno Fontana note : \u00ab\u202fcela fait des formes assez surprenantes sur une page blanche, un \u00e9crin qui les rend pr\u00e9cieuses\u202f<\/em>\u00bb.\r\nAvec la s\u00e9rie Inscape typology<\/em>, hommage \u00e0 l\u2019inventeur des wagons-lits George Pullman (1831-1897), le photographe utilise le tirage cyanotype, proc\u00e9d\u00e9 photographique monochrome n\u00e9gatif ancien, par le biais duquel il obtient un tirage photographique bleu de Prusse ou bleu cyan.\r\n

Une approche artisanale de la photographie, l\u2019exemple d\u2019Urban Wallpapers<\/em> <\/strong><\/h3>\r\nBruno Fontana revendique une approche artisanale dans le processus de fabrication de ces photographies. Cette revendication se r\u00e9v\u00e8le d\u00e9j\u00e0 dans ses choix de tirage et son go\u00fbt pour tester de nouvelles mani\u00e8res de proc\u00e9der. Cette dimension se r\u00e9v\u00e8le \u00e9galement en amont du processus, lors du rep\u00e9rage des paysages et de la prise de vue.\r\nLa s\u00e9rie Urban Wallpapers<\/em> a par exemple exig\u00e9 du temps, de la patience. En 2009, Fontana a eu acc\u00e8s \u00e0 140 appartements d\u2019un immeuble vid\u00e9 de ses habitants avant sa destruction. Pendant 5 jours, il a arpent\u00e9 le lieu et s\u2019est pench\u00e9 sur les bribes ordinaires du passage des anciens locataires ou propri\u00e9taires. Ce moment suspendu de plusieurs jours \u00e9tait n\u00e9cessaire \u00e0 son processus cr\u00e9atif.\r\n

\u00ab\u202fFa\u00e7onner son regard seul, cela prend quatre fois plus de temps\u202f<\/em>\u00bb : le parcours d\u2019un autodidacte<\/strong><\/h2>\r\n

Une passion pour la photographie et l\u2019architecture<\/strong><\/h3>\r\nN\u00e9 en 1977, Bruno Fontana a pass\u00e9 son enfance pr\u00e8s de Paris, o\u00f9 il vit et travaille toujours. Il l\u2019avoue, il se sent plus \u00e0 l\u2019aise dans une for\u00eat de b\u00e9ton que d\u2019arbres. Il d\u00e9veloppe tr\u00e8s t\u00f4t un vif int\u00e9r\u00eat pour l\u2019architecture. Ayant grandi en Seine-Saint-Denis, le photographe contemporain a progressivement port\u00e9 un regard sur les grands ensembles, scrut\u00e9s en tant en \u202fqu\u2019unit\u00e9 d\u2019habitation.\u202fCes observations et cette curiosit\u00e9 impr\u00e8gnent toujours son travail. Fontana se passionne \u00e9galement pour la photographie contemporaine<\/a> et effectue ses premiers pas dans un photo club \u00e0 l\u2019\u00e2ge de 20 ans. Il ne s\u2019arr\u00eatera plus de s\u2019adonner \u00e0 cette pratique.\r\n

L\u2019\u00c9cole de D\u00fcsseldorf<\/strong><\/h3>\r\nSa passion pour la photographie s\u2019est aussi nourrie de l\u2019influence de grandes figures de la photographie, notamment celles de l\u2019\u00c9cole de D\u00fcsseldorf, initi\u00e9e par Bernd (1931-2007) et Hilla Becher (1934-2015) \u00e0 la Kunstakademie de D\u00fcsseldorf dans les ann\u00e9es 1970. Ce duo s\u2019est focalis\u00e9 sur les photographies en noir et blanc des paysages industriels allemands et a fortement influenc\u00e9 la g\u00e9n\u00e9ration suivante, dont Andreas Gursky (n\u00e9 en 1955). Fontana s\u2019inscrit dans cette tradition et rend hommage \u00e0 l\u2019\u00c9cole de D\u00fcsseldorf tout en proposant des variations et une vision singuli\u00e8res.\r\n

Expositions et distinctions<\/strong><\/h3>\r\nLe photographe contemporain a obtenu diff\u00e9rentes distinctions pour son travail, dont le prix SFR Jeunes Talents aux Rencontres d'Arles (2013), ainsi que le Moscow International Photo Award (2015). Ses oeuvres ont \u00e9t\u00e9 r\u00e9cemment expos\u00e9es, entre autres, au Mus\u00e9e des Beaux-Arts de Carcassonne (2019), lors des Rencontres d\u2019Arles (2017) ou encore au Shenyang Festival of Industrial Photography (2016).","education":"","exhibitions":"","personal_exhibitions":"
    \r\n \t
  • 2022 : \u00ab Carte Blanche \u00bb, Roche-Bobois, Paris (France)<\/li>\r\n \t
  • 2020 : \u00ab Silent forms \u00bb, Kyoto (Japan)<\/li>\r\n \t
  • 2019 : \u00ab Formes construites \u00bb, Galerie des Petits Carreaux, Paris (France)<\/li>\r\n \t
  • 2018 : Salon Approche, Galerie des Petits Carreaux, Paris (France)<\/li>\r\n \t
  • 2018 : \u00ab S'approprier le r\u00e9el \u00bb, Galerie Bacqueville, Lille (France)<\/li>\r\n \t
  • 2016: \u201cUnseen seascapes\u201d, Galerie des Petits Carreaux, Paris (France)<\/li>\r\n \t
  • 2016 : Solo Show, Macadam Gallery, Bruxelles (Belgique)<\/li>\r\n \t
  • 2015 : \u00ab Typologies \u00bb, Galerie Rivi\u00e8re Faiveley, Paris (France)<\/li>\r\n \t
  • 2015 : \u00ab Constructions \u00bb, Galerie des Petits Carreaux, Paris (France)<\/li>\r\n \t
  • 2014 : \u00ab Urban WallPapers \u00bb, Galerie Rivi\u00e8re Faiveley, Paris (France)<\/li>\r\n<\/ul>","collective_exhibitions":"
      \r\n \t
    • 2021 : \u00ab Variation paysag\u00e8res \u00bb, Galerie Laurent & Laurent, Nice (France)<\/li>\r\n \t
    • 2019 : \u00ab Une collection d'Art contemporain \u00bb, Mus\u00e9e des Beaux-Arts de Carcassone, Carcassonne (France)<\/li>\r\n \t
    • 2017 : Les Rencontres d'Arles, Arles (France)<\/li>\r\n \t
    • 2017 : \u00ab Extrait \u00bb, R\u00e9sidence 87, Paris (France)<\/li>\r\n \t
    • 2016 : \u00ab L'objet photographique \u00bb, Galerie IMMIX, Paris (France)<\/li>\r\n \t
    • 2016 : \u00ab L'\u00e9chelle de la repr\u00e9sentation \u00bb, Galerie IMMIX (Paris)<\/li>\r\n \t
    • 2016 : Shenyang Festival of Industrial Photography, Shenyang (Chine)<\/li>\r\n \t
    • 2015 : YIA Art Fair, Paris (France)<\/li>\r\n \t
    • 2015 : \u00ab Home \u00bb, MEP (Maison Europ\u00e9enne de la Photographie), Lille (France)<\/li>\r\n \t
    • 2015 : Off Course Art Fair, Bruxelles (Belgique)<\/li>\r\n \t
    • 2015 : \u00ab Urbanit\u00e9, ou la trace de l\u2019Homme \u00bb, Macadam Gallery, Bruxelles (Belgique)<\/li>\r\n \t
    • 2015 : Art Paris Art Fair, Grand Palais, Paris (France)<\/li>\r\n \t
    • 2014 : Slick Attitude Art Fair, Paris (France)<\/li>\r\n \t
    • 2014 : \u00ab The Colours of Architecture \u00bb, Galerie La Chambre, Strasbourg (France)<\/li>\r\n \t
    • 2014 : \u00ab (Re)Shaping Landscapes \u00bb, Galerie Rivi\u00e8re Faiveley, Paris (France)<\/li>\r\n \t
    • 2013 : La Nuit de l'ann\u00e9e, Rencontres d'Arles, Salon de Giraud, Arles (France)<\/li>\r\n \t
    • 2013 : Les Rencontres d'Arles, Prix SFR Jeunes Talents, Arles (France)<\/li>\r\n \t
    • 2013 : \u00ab Urban WallPapers \u00bb, Gare Saint Sauveur, Lille (France)<\/li>\r\n<\/ul>","collections":"","awards":"Prix\r\n
        \r\n \t
      • 2017 : Laur\u00e9at du prix photo, Galerie C\u00e9dric Bacqueville, Lille (France)<\/li>\r\n \t
      • 2016 : Laur\u00e9at du prix du Festival MAP, Toulouse (France)<\/li>\r\n \t
      • 2015 : Mention sp\u00e9ciale pour \u00ab Typologies \u00bb, Moscow International Foto Awards, Moscou (Russie)<\/li>\r\n \t
      • 2014 : S\u00e9lection ARPIA ( Association de recherche et production d'images en anthropologie et art)<\/li>\r\n \t
      • 2014 : Laur\u00e9at du prix Lens'art Photographic<\/li>\r\n \t
      • 2014 : S\u00e9lection Archifoto \u00ab The Colours of Architecture \u00bb<\/li>\r\n \t
      • 2013 : Laur\u00e9at SFR Jeunes Talents<\/li>\r\n<\/ul>","commissions":"","publications":"
          \r\n \t
        • 2019 : Fisheye Magazine<\/li>\r\n \t
        • 2018 : Apologie Magazine<\/li>\r\n \t
        • 2017 : Les Rencontres Arles Photographie, Actes sud<\/li>\r\n \t
        • 2016 : Aesthetica Art Prize Anthology 2016, Future Now<\/li>\r\n \t
        • 2015 : Archistorm Magazine, Portfolio<\/li>\r\n \t
        • 2013 : Les Rencontres Arles Photographie, Actes sud<\/li>\r\n \t
        • 2013 : Shot magazine, portfolio SFR Jeunes Talents, Arles<\/li>\r\n \t
        • 2013 : Images Magazine, Portfolio \u00ab Urban WallPapers \u00bb<\/li>\r\n<\/ul>"},"artist_video":{"url":"https:\/\/youtu.be\/RYlbBkmW9po","poster_image":42681},"artist_taxes":{"vat_liability":false,"vat_applicable_rate":5.5},"artist_featured_artworks_images":[{"image":36025},{"image":42843}],"artist_featured_artworks":[36907,36969],"artist_diaporama":[{"image":36065,"image_caption":"S\u00e9rie Silent forms<\/em> (2019)"},{"image":35965,"image_caption":"S\u00e9rie Urban Wallpapers<\/em> (2013) "}],"artist_query_group":"20","drupal_id":""},"yoast_head":"\nBruno Fontana | Photographie d'architecture | Artistics<\/title>\n<meta name=\"description\" content=\"Les photographies d'architecture de Bruno Fontana explorent la repr\u00e9sentation du paysage et la mani\u00e8re dont l'homme le fa\u00e7onne.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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